There are still too few women directors in Hollywood and too few women in starring roles.
Of the Cahiers du Cinema cohort, Chabrol was the first to make a film, which he wrote, shot and produced himself. The result is the startling complex Le Beau Serge, which inaugurated the French New…
Delphine Seyrig in Mr. Freedom
Delphine Seyrig in Daughters of Darkness (1971)
He must be stopped
When you do think of animals on film, it’s striking that they appear most frequently in either children’s movies or documentaries. We either revel in their otherness, or turn them into humanized talking beasts. Not surprisingly, both iterations of the animal are loved by viewers of all ages.
Elaine Stritch rests her bike, reads a note, almost causes a riot.
NEW YORK, June 26—TOLD TO KEEP HER SHIRT ON – Blonde Elaine Stritch, understudy to Ethel Merman in the Broadway hit, “Call Me Madam,” wears halter and shorts which cause her arrest in Central Park. Today she was fined $1 and told by Magistrate Emilio Jones, “A beautiful girl like you could cause a small riot and cause a large crowd to collect by removing your shirt.” “Well,” she replied, “I was there all day and nothing happened.” (AP, 1951)
Elaine Stritch is my goddess
David O. Selznick (producer), Joan Fontaine (actress), Alfred Hitchcock (director), and Judith Anderson (actress) at the 13th Academy Awards, 1941. All 4 were up for Oscars for Rebecca, which had eleven nominations but only won for Best Picture (Selznick) and Best Cinematography (George Barnes).